"Work from Observation" is a course offered by Studio Arts Dallas, designed to equip participants with the skills to approach any drawing or painting subject with confidence. The course emphasizes observational art-making, encouraging participants to create freely with a sketchbook and more. The curriculum begins with the basics of drawing what is seen, then transitions into more expressive forms of drawing. Subject matter encompasses a wide range of fields, including people, faces, still life objects, landscapes, and even non-representational ideas and concepts. The course is delivered in a multi-media format, and is accompanied by classical instruction. This makes it an essential resource for students preparing for college portfolios, as it provides useful instruction in areas that few high school programs cover. The course is particularly helpful for improving skills in figure drawing, still life, landscape, and portraiture. The course is scheduled for two-hour sessions, taking place from 4:30 pm to 6:30 pm on Mondays and from 11:30 am to 1:30 pm and 1:45 pm to 3:45 pm on Saturdays. The course is open to teens and adults, providing a varied learning environment. However, participants should be aware that there is a course fee. The instructors at Studio Arts Dallas include a diverse team of experts, such as Barley Vogel, Joanna Jacobus, Krystal Read, and several others, although it isn't specified who exactly teaches this particular course. These instructors bring a rich assortment of qualifications, background experiences, and teaching styles to the program. Upon completion of the course, participants will gain the ability to approach any drawing or painting subject with confidence and will be well-prepared to create freely at home. This makes the course an excellent foundation for future art studies, portfolio preparation, and personal artistic growth. A noteworthy aspect of the course is the opportunity it offers to explore a variety of subject matters and concepts, providing a comprehensive learning experience in observational art-making.